Charles has spent more than a decade teaching fiction workshops at NYU, and also has taught in Columbia University’s MFA program, and has lectured on fiction at schools and retreats all over the world. Do you need help with your project?

Writing a book — whether a novel, memoir, short story collection, or non-fiction project — can be a lonely slong, one marked by not just being alone, but by wrestling with your aloneness.   Much of writing involves trial and failure, venturing down uncertain hallways. Meanwhile, friends, spouses, lovers, kids, all want to know, when will you be done?  It’s easy, natural even, to want results.  Just finishing a first draft is a major accomplishment — the truth is, when I finish a first draft of something, I’m ready for the parade in my honor.  But agents don’t want first drafts.   Submit to an agent — let alone to a publisher — too quickly, your work gets a polite form letter. 

In the same way that boxers usually have someone to run with them at five in the morning, thereby keeping them honest, in the same way that a personal trainer can help guide you through the best workout for your body, sometimes a book coach can be really helpful. Think of this as having a personal trainer for your writing life. This is a tether connecting you to questions of craft, someone to bounce ideas off, someone to share your writing life and process with, who will help with all these things.

My workshops and teaching process is designed to help you stay in the chair, and more, to advance your understanding of craft, and to help you learn how to live with writing your book, so you can write the best version of your book, the physical manuscript that is the closest incarnation of what is in your head.  The book that you need to write. Writing beautiful sentences is one thing — and it is something I care a ton about — but how do you learn to live with the evolving, changing structure of a book?   After you have that MFA but don’t have the structure of a workshop?  When friends can only offer so much advice?   When life’s commitments push at you, while on the page there are so many problems?  

How do you keep your best habits, stay connected to what your vision can be, and forge on into the teeth of your doubts?  

I teach over Zoom, with manuscripts and edits discussed via email. This allows writers everywhere access to top-notch instruction:  how to work on the book’s structure as a regular part of the manuscript’s evolving life; how to organize time and your computer files;  the classic structure of what goes into a story, and in particular what is demanded from the beginning, middle, and ends of stories. 

I often apply my own journey to my instrution. When I teach a workshop, I include class exercises, handouts, discussions.

Pease join me and let me help you tackle these big questions.  My goal is to help you move toward the answers that allow you to write and work at your best. 

I am more than happy to provide references, and put you in touch with former students.

Any questions, interest, or if you would like to be kept informed about future classes and workshops:  cbock1999@gmail.com

Paypal to  @Cbockstar

Venmo to : @Charles-Bock-2

Open to all levels of experience.

If demand exists, there will be more writing boot camps, focusing on various structural and technical issues.

Similarly, if there is a demand, I will start (and teach) a workshop for people working on a manuscript (novel/ collection/ non-fiction project).  

Current teaching calendar:     

Dates to come.

About Charles:    I am the author of the novels Beautiful Children, which was a New York Times bestseller and Notable Book, and won the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters, and Alice & Oliver (which got me interviewed byTerri Gross on Fresh Air).  My fiction and nonfiction have appeared in Harper’s, The New York Times, The Believer, Vice, the Los Angeles Times, and Slate, as well as in numerous anthologies. I have received fellowships from the Civitella Ranieri Foundation, Yaddo, UCross, and the Vermont Studio Center.  I am a graduate of the Bennington Writing Seminars, teach writing workshops at NYU, have taught in the Columbia University MFA program for fiction, and have lectured about writing and craft all over the nation and world. I live with my daughter in Brooklyn.

 

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